this summer’s live shows

Birds & Bat­ter­ies (July 5)
PA’s Lounge is kind of ghetto, and the open­ing band sucked badly. But Birds & Batteries—damn! Com­bin­ing syn­the­siz­ers and cryp­tic lyrics with south­ern twang and pedal steel, Birds & Bat­ter­ies brings indie cred (read: com­plex­ity and copi­ous facial hair) to coun­try rock. They play an awe­some live show, and not a per­son in the room would have dis­agreed with me. I hope this San Francisco-based band makes it big.
Assas­sins (August 2)
One of Stephen Sondheim’s less pop­u­lar musi­cals, it’s cer­tainly unusual to see a pro­duc­tion of Assas­sins dur­ing an elec­tion cycle. Com­pany One’s pro­duc­tion, staged in the inti­mate BCA Plaza The­atre, was excel­lent. The cast­ing was first-rate (where did they find a per­fect look-alike for Charles Gui­teau?) and the singing was excel­lent. The tech­ni­cal aspects of the show were a lit­tle dis­ap­point­ing, as was the band, which sounded as if it were read­ing the score for the first time. But sim­ply see­ing this show is a lot of fun. By chance I heard Neil Patrick Har­ris (aka Doo­gie Howser) inter­viewed by Terry Gross on Fresh Air the pre­vi­ous night—he spoke at length about the way Sondheim’s score reflects the emo­tions of the char­ac­ters and his com­ments were actu­ally pretty insightful.
Sur­prise Me Mr. Davis (August 7)
I have to admit I’ve never been a big fan of The Slip, but I was pleas­antly sur­prised by this weird “electro-folk” com­bi­na­tion of The Slip and singer-songwriter Nathan Moore. Jim Hobbs, an eclec­tic jazz-saxophone player, opened along with his hyper-focused avant-garde drum­mer. That show was inter­est­ing enough, but it was just too much when the two acts took the stage together later that night: as a rule of thumb, there should never be two drum­mers on stage at once. Nor should a jam band take on a sax­o­phone player who doesn’t know when to stop. In spite of the infor­mal­ity, this show was a series of good long jams—a fun way to spend a rainy night.
Wilco and Andrew Bird (August 12)
The bass player for Andrew Bird is a friend of the fam­ily. How often do you get to see some­one you know play a sold-out show at Tan­gle­wood? Open­ing for Wilco? Not often! On top of that, Andrew Bird is a phe­nom­e­nal act. And Wilco’s pretty decent too. I’m pretty damn excited about this show.
Jake Armerd­ing (August 19)
This Cantab Lounge show has most of the fixin’s of a rare Barn Star appear­ance: Jake Armerd­ing on fid­dle, his father Tay­lor on man­dolin, Zack Hick­man on bass… I can only hope to be present when the old-school blue­grass freight train col­lides with some foot-stomping clas­sic rock covers.

One Comment

  1. Adrian August 11, 2008

    Birds and Bat­ter­ies are pretty good. Another SF coun­try­ish band that may be worth check­ing out are Or, the Whale. (I’m not affil­i­ated, just a fan.)

    I was pretty blown away when I saw Andrew Bird. He cer­tainly is a phe­nom­e­nal act.

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August 11, 2008 August 11, 2008 reviews by Scott [permanent link]